Tag: bari sax

I’ve written about signs before.

I’ve explained that there are “flags” in life that give you clues to move forward, pause, or stop.

Green signs or flags mean keep going, yellow signs mean slow down and reflect, and red flags mean stop.

I look for signs all the time, to confirm my direction, or to warn me to reconsider, or to come to a complete halt.

These signs can be anything, from a line in a book to a street sign with a double meaning to a dream to a statement by a friend or from a movie character, or anything else.

But what if the sign is you?

Yes, you.

Let me explain with a story…

Saxman Joe (Art by Mike Denning)

I’ve been practicing the saxophone this year and loving it.

So far I have three vintage saxes: an alto, tenor, and baritone.

I know that Selmer made some highly collectible horns for around twenty years. They are called Mark VI and the prized ones have serial numbers from 53201 to 236000. They are considered the Holy Grail of saxes.

While I have two Selmer vintage saxes, I don’t have a baritone sax (which is what I play) from that specific golden era.

But one showed up on eBay.

Collectible Selmer Mark VI Bari Sax

I stared at it, researched it, considered it, wrote the owner a few questions about it, and more.

I also double checked the serial number on the sax to be sure it was from that magical Selmer period.

It matched.

But I couldn’t bring myself to buy it.

That troubled me.

I kept meditating on the purchase, cleaning internally on any doubts or concerns or uncertainties, but I couldn’t get a resounding yes to actually buy it.

I constantly looked for signs to buy it.

Nothing.

And – believe it or not – I even tried to force a sign from the Universe by consulting an I Ching app, an angel app, and a Magic 8 Ball app.

All said no.

Those were silly apps, I thought, so I was willing to dismiss them.

But I couldn’t.

They were signs.

But the biggest and strongest sign I was getting was from me.

And that sign was also saying no.

I kept feeling — for some unexplained reason — that I shouldn’t get this saxophone.

But I wanted the sax.

I could afford the sax.

I knew the sax was pristine and collectible. Even at the seller’s opening asking price of $10,000 (and his appraised price of $15,000), I could rationalize investing in it. The horn would only go up in value.

But my whole body wouldn’t let me go there, to actually buying it.

First Sax Album Coming 2015

I even got to the point where I typed in my bid on eBay, trying to override all the signs, but as my finger hovered over the key to make the $10,000 bid a permanent contract to buy the sax, my body said “No.”

What!?

It was strange.

My mind said yes – at least part of my mind – but the rest of me said no.

I was confused.

But I knew to trust the signs.

When you don’t trust the early warning signs, you can end up regretting something.

Since the sign was me, and it/I was saying “red flag,” I passed on the sax.

I trusted that it wasn’t for me, for reasons I may never know.

The auction ended.

I watched someone buy it for $10,000.

Gone.

Sigh.

What happened?

I had attracted the sax into my life for a reason, but apparently the reason wasn’t to own it.

So what was the reason?

Over the next day, I reflected on why I wanted that sax.

My 1952 Selmer SBA Baritone

As I meditated on it, I knew that the case the sax came in was original and complete.

The case I have, for my vintage 1952 Super Balanced Action Selmer baritone, is missing the handle.

I want a handle.

So I wrote to Chadd Berry at Worldwide Sax and asked if he could get me one.

He said yes, and did.

Green light.

That was a great sign.

I also realized that the sax for sale came with a metal mouthpiece.

I’ve learned enough about the sax to know the sweet sound comes from the mouthpiece, the reed, and the player. The sax itself just amplifies the sound, which you manipulate mostly with the keys. Some sax players spend a fortune on collecting boxes of mouthpieces, desperately looking for the right one for them.

I wanted a metal mouthpiece.

I did some research, determined one that could work for me, and ordered a gold one.

Green light.

That felt great, too.

Getting the gold mouthpiece (as well as the case handle) was easy, effortless, and almost instantaneous.

That’s how this process is supposed to work when all the flags are green.

And guess what?

I now felt complete.

It’s almost as though I were drawn to the sax on eBay to more deeply connect to my inner compass, and to further my sax playing by getting a metal mouthpiece, not an entire sax, to improve my playing.

For the record, both pieces arrived and work perfectly.

The vintage case is easier to look at and carry with a new handle, and my sax playing is smoother and easier with the gold metal mouthpiece.

And rather than spending $10,000 (or more), I spent less than $1,000 and got everything I needed.

The lesson here, as I see it, is that you have to pay attention to your entire energy system.

If your mind says yes but most of the rest of you says no, that’s a sign.

Explore it.

What is it here for?

Question it.

What could it mean?

Trust it.

You are the sign.

Trust you.

Ao Akua,

Joe

PS — A great way to fine tune your inner compass is with a trained objective person. Maybe see Miracles Coaching.

PPS — My favorite modern sax player is Mindi Abair. I’m going to have a private sax lesson with her tomorrow, which I am very excited about. She plays the alto sax rather than the baritone, but boy can she play! Her new album, Wild Heart, is a jazz-rock-sax masterpiece. Here’s a taste of her sound from a live performance a while back:

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